The director works very closely with the editor to ensure that film reaches its greatest potential of both the script and the vision that he has set in the pre-production stage. The director overlooks the edits and quality of the final product, working closely with the video editor to manage the creative outcome of the piece.
Director vs. poducer full#
With footages available and resources attained made to its full use, what’s left to complete is the final product’s editing and distribution.
One great example of this is how films sponsored by the electronics brand “Apple”, require only the good characters to use their products - in which producers have to ensure no on-screen villain comes in possession of their sponsor’s gadgets when the cameras are rolling.Īt the same time, the producer also has to ensure the welfare of the entire team is met, and for the set to run as smoothly as possible.Īs a whole, this is the phase where the director runs the story and execution, while the producer runs the set in areas of logistic and welfare.įar from a breather, the period of time after the principal photography is as significant as it is exhausting. In situations where restrictions or requirements of content are laid by clients or sponsorship, the producer has to step in to convey the message to the crew and director, so as to ensure the funding and screening is made possible after the filming is completed. In the stage from pre-production to production, the producer’s job is to communicate with clients, stake-holders, crew and the director to make sure the requirements of the boundaries and materials are met. Image taken from No Film School Keeping things in order Stage 2: Production (aka Principal Photography) Many a time, unlike the director who often has the team working around him, doing their jobs based on the artistic direction he has, the producer works around the team instead, leading them and providing help and support to achieve the best of everyone’s effort for the best outcome of the final product. For example, in a film like Parasite where the story progresses largely in the house, producers have to find the right people to design or find a place that matches what the director is looking for best, as well as to provide relevant information and options of the location that would contribute to what the director might want to convey. This includes compiling an ideal list of possible casts and crew, raising sufficient funds and all in all, managing the logistics of the entire production, and the details in between. Meanwhile, the producer’s job is to provide support to the director, by assembling a team and finding resources that fits their vision best. Ultimately, as much as it is a story or piece created by the director, it is the producer who ensures these creations can start in the first place. For example, Japanese animation Studio Ghibli’s creator, Hayao Miyazaki often pitches to his producer, Toshio Suzuki, whenever he has a new story, which often jumpstarts their next film project. Many a time, most directors only come into the picture here if they have an idea or script they want to pitch.
Director vs. poducer series#
For example, an epic book series like “Game of Thrones” would be best adapted as a TV series while a simple family script like “Little Miss Sunshine” might be filmed most ideally as a low-budget indie film. Often, they also have to evaluate their resources to determine its scale, in terms of budgeting and medium. This is usually a producer’s starting point and solo stage, sourcing and eliminating ideas to kick-start their next project. This can come from adaptations from books or news, in regards to making a film, or a business deal from a client’s request to shoot an advertisement. Every production starts off with the foundation of a script or an idea.